The human figure poses quite
a challenge for most artists. Adding
clothing to the figure only further complicates things. And there is probably no more difficult
article of clothing to draw (or paint) accurately than hats. But with a little knowledge of process and
technique, drawing hats can be simple.
Or, at least, not impossible.
Wednesday, March 27, 2013
Thursday, January 24, 2013
Watercolor: Lifting Out
Probably more than any other
medium, watercolor is full of little tricks which help achieve desired
effects. Lifting out is one of those
tricks. I’ve touched on lifting out in
previous lessons, but it’s important enough to warrant its own. So let’s take a look at how and when to lift
out in watercolor.
![]() |
| In this example I lifted out highlights on the hand and the edges around the kelp in the background. |
Labels:
Watercolor
Wednesday, December 5, 2012
Painting: Finished?
All of the details have been
added and the last shimmering highlights dabbed on. But how do you determine when a painting is
actually finished? This, of course, is a subjective
question. But let’s look at some ways to
help you determine when your work is complete.
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| Samuel F. B. Morse, Gallery at the Louvre, 1831-33 |
Friday, November 9, 2012
Drawing: Pen and Ink
Pen and Ink is a very versatile
medium which is often combined with the likes of watercolor or digital
painting. But before we get into any of
that, let’s take a look at pen and ink by itself. Because, though often overlooked, it is one
of the most traditional mediums in art.
![]() |
| Franklin Booth, Earnest Elmo Calkins |
Supplies
Labels:
Drawing
Monday, October 8, 2012
Perspective: Depth of Field
This is something that
photographers talk about all the time, but rarely gets mentioned in painting
and drawing. Yet the depth of field
concept is as relevant and as important to painters as it is to
photographers. So let’s take a look at
depth of field and how to apply it to canvas.
![]() |
| Fitz-Hugh Lane, Becalmed off Halfway Rock, 1860 |
Labels:
Perspective
Sunday, September 23, 2012
Color: All About Warm and Cool Colors
Everyone who has taken a
basic art course can list the warm and cool colors. But most people merely have them
memorized. Actually understanding what
makes a color warm or cool is just as important. And being able to apply this knowledge to
your work is the reason for all that understanding and memorizing.
![]() |
| Winslow Homer, Waiting an Answer, 1872 |
Labels:
Color
Saturday, August 11, 2012
Supplies: How to Properly Hang a Canvas
The easiest way to hang a canvas on a wall is with a pushpin. I’ve certainly done it more than once. But, as is so often the case, the easiest way isn’t the best way. Any painting that you’re going to sell or show publicly will need to be wired with hanging hardware. Galleries almost always require the artist to bring their paintings “ready to hang.” Don’t despair though. Properly wiring a canvas to hang is still a pretty simple and cheap thing to do.
Labels:
Supplies
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